The perspective in this photograph feels like a metaphor. It feels like it’s full of metaphors, actually, just like the asparagus was. Words don’t form for me about it, though. If I try putting it into words, I get lost. Not finding words is something new. Or maybe it’s something old that I’m finally accepting?
Painting lets me share without words, whether I’m viewing them or making them. When I visit van Gogh’s paintings I get as close as the staff will allow (that’s much closer than most “polite” museum-goers usually get). First, I stand back at the regular viewing position. I take in the whole picture; the shapes and layout, the lights and darks, the feelings it brings up in me. 
Then, I get in close:
I look as close as I can so I can see the brush strokes. (I’ve seen his fingerprints, too!)
Looking very, very closely is what I do. Aware of the larger picture, I get in close and take it apart. I see the pieces. The whole picture is still there and doesn’t exist without all of the close-in parts; the close-in parts are usually luscious and meaty even when the overall picture is delicate or light.
Writing, even just this train-of-thought casual stuff, maybe especially this stuff, feeds my soul (if I believed in souls). Considering and discussing ideas also nourishes me. I love words. I love dancing with them — “nourish” isn’t quite right back there — and appreciating them. But, while I enjoy writing, the movement of ideas or thoughts or concepts from inside my brain out into the world in a verbal way isn’t comfortable or satisfying for me. Writing allows me time to consider my thoughts before getting the words out. And then there’s the fact that my inner-world has many places with no words; that’s why I paint.
Lately, instead of considering painting a luxury I can’t afford, both in terms of finances and time, I’ve realized I can’t fight it anymore. I need to get it out. Nothing has really changed in my life, except that, in some respects, everything has.
2016-08-25